The official blog of the Muhlenberg Theatre & Dance Department

Here’ a glimpse of this week’s NEW VISIONS Emerging Artists Festival, opening Wednesday.



Charlotte’s piece “Key” has been selected for the National American College Dance Festival (ACDF) at the Kennedy Center in Washington D.C. “Key” was presented on the Master Choreographers concert this past February and performed for adjudication this past weekend at the Northeast ACDFA Conference, held at SUNY Brockport.

Only 31 of the 506 adjudicated dance works were selected for performance at the National Festival, June 5-7.This is the fifth time the Muhlenberg College Dance program has been selected for the honor.


This past Friday, the Circus Workshop had its first showing with various faculty members. It was very exciting and satisfying to share the work we had been doing with our professors. The showing ran like a regular rehearsal would, with all the separate groups working on the different pieces of scenes that will eventually be put together when we get to the staging rehearsals.

The aerialists weren’t called until about an hour into the rehearsal, but I decided to come in early and watch the other groups present their work. It was nice to sit back and be a viewer rather than a performer and to get a chance to watch all the different groups’ hard work. The pieces are not entirely polished, which at this stage in the rehearsal process, is totally fine.  But everyone is working so hard and it’s really showing. There is so much love being put into this project and as an audience member it is easy to see. Everything about this project is completely new to the college, the creative team, and the performers but everyone is taking in the process and experience with open arms.

I think it’s safe to say that the professors who came out to watch the rehearsal were very pleased with the project. It can sometimes feel like we’re swimming in open water with no land to grab on to, but the approval of the faculty was absolute reassurance that we are swimming in the right direction.


Hello from The Learned Ladies!!

Today marks our FINAL performance! We’ve been very blessed with amazing audiences and a great run. We opened on Thursday night, enjoyed a wonderful evening on Friday with the MTA at our gala (lots of yummy food!), and our Saturday and Sunday shows with family and friends! Thank you to all who supported us throughout this process.

To recap a bit on our Tech Week, we ended up having many run-throughs since we finished lighting and sound quite early. Our first dress rehearsal was on Sunday before we opened, so we were ahead of schedule!

Saying goodbye to this show will be difficult, especially with so many seniors performing in it, but it has been such an honor to work on Molière’s beautiful play.  From the cast, we would like to thank Jim Peck, Francine Roussel, Troy Dwyer, our costume, scenic, and lighting designers (the show looked BEAUTIFUL!), and our wonderful crew. You are all amazing! Thank you for all your hard work and dedication. I look forward to writing again for another show in the future!  Thanks for reading!  


Below is a picture of me, as Julien, in The Learned Ladies:

The Learned Ladies
By Molière
Feb. 20-23, 2014

Directed by James Peck
Scenic Designer: Curtis Dretsch
Lighting Designer: Rick Fisher
Costume Designer: Michael McDonald
Photos by Ken Ek, Kenek Photography

The Learned Ladies opens TONIGHT and runs through Sunday. Just enough time left to get your tickets! Box Office: 484-664-3333 or purchase online at

The Learned Ladies: Opening tomorrow night! Tickets: 484-664-3333 or


Hi all! It’s Emily again! Today was our first time onstage in the Baker Theatre! I SO wish I could post pictures because the set looks absolutely incredible, but it is supposed to be secret until the show opens. I really hope you are all buying your tickets!! Once again, the show runs Feb. 20-23. (I recommend seats in the back orchestra or balcony. They give you the best view of the entire stage!)

So, we have finally finished staging the play and are now adapting it to the stage. One of the most complicated things an actor has to deal with, in my opinion, is learning all their blocking for the show in rehearsals and then having their first onstage, in which they have to RE-block a ton of stuff. This can be difficult and time-consuming, but in the long run, it will make the show look even more amazing. One of the things we got to do yesterday was rehearse the play with our show shoes on for the first time. This production is so unique and interesting, and it’s uniqueness is most definitely reflected in our shoes. They range from ballroom heels to leather steampunk themed boots to 18th century classic shoes. I cannot wait for dress rehearsals where we get to do the show in our costumes, hair, and makeup. Get ready for some unique and spectacular looks!

We made it through Acts 1 to 3 yesterday, adjusting the blocking and making the transitions. (The show has five acts, which we will perform in two halves: Acts 1-3 in the first half, and Acts 4 and 5 in the second.) Marie DiNorcia, who plays Lépine in the show, is one of the servants in the play who moves most of the furniture during transitions. She also happens to be one of the smallest people in the production. That girl is crazy strong! She is also SO talented and funny as well! It has been such an amazing experience watching all the actors develop and become their characters over the past couple weeks. I’ll write again soon when we get into dress rehearsals. CANNOT WAIT FOR THE SHOW TO OPEN!  Thanks for reading!

The Senior Showcase 2014 is coming up — and Muhlenberg senior Molly Israel produced a snazzy little video to introduce you to the participants!


Hi everyone! I’m super excited to talk about Muhlenberg’s most recent dance performance, Master Choreographers. Although this was my first time performing in Masters, I’ve been told it was one of the best yet. This accomplishment is even more rewarding knowing that this year marked the 20th year of Master Choreographers performances. The show features many guest and faculty artists, as well as a restaging of the world-renowned piece D-Man in the Waters, choreographed by Bill T. Jones. I personally performed in Dorrell Martin’s piece titled “Truth is the Born of Arguments,” and was an understudy of Jeffrey Peterson’s “Peer.” It was an absolutely wonderful experience for me to work for the past few months with such professionals, who brought so much creative energy to the process. Putting the pieces on the Empie stage, however, brought each piece a new level of performance energy and excitement. Lighting, costuming, and staging finally turned the ideas that had been in all of our minds for the past few months into a spectacular reality.

Although I could talk for hours about the amazing work performed onstage, I was most honored and impressed by the loving Muhlenberg Dance Association community during the run of the show. As always, the entire cast came together before every performance for various traditions including pass the squeeze, shakeout, and crew dance. Backstage, however, the togetherness continued with endless hugs and words of encouragement before every piece. The cast of D-Man even received a good luck card and bouquet from Bill T. Jones himself. Through nerves, injuries and sicknesses, the cast banded together and helped each other create the best show we possibly could. Being a part of this ever-supportive family, the MDA, is truly my favorite part of being a dancer here at Muhlenberg. This community ultimately adds to the life of our performances, creating connection behind the pieces we are a part of. As stated so perfectly by choreographer Jeffrey Peterson just minutes before curtain, “The greatest part of this performance is being able to share the stage with each other.”

Below are some more photos from the Master Choreographers photo shoot.


Hi everyone! It’s been a whole semester since I’ve blogged, but I’m very happy to come back to it. For those of you who don’t know me, my name is Mary, I’m a sophomore theatre major with a minor in women’s and gender studies, and this semester, I am one of two dramaturgs for Mad Forest, directed by Beth Schachter.

Mad Forest: a Play from Romania was written by British playwright Caryl Churchill as a response to the Romanian Revolution of 1989. During the revolution, the people of Romania overthrew their long-time leader, Nicolae Ceausescu, and executed him and his wife Elena, marking the end of the Socialist Republic of Romania. The play’s three acts chronicle what life was like before, during, and after the revolution. The first and third acts follow the stories of two families, the Vladu and the Antonescu, before and after the communist regime, and how their lives and relationships change, and not necessarily for the better. The second act, known as the December section; tells the experiences of an entirely different set of characters during the revolution itself in Bucharest, Romania’s capital.

Now you’re all caught up on what Mad Forest is all about, I can explain what my job is on the project. A dramaturg can serve a variety of functions, but my job is to help the cast understand the context of play by doing research on everything they would need to know in order to fully inhabit their characters and the world they live in. So for Mad Forest, Josh (the other dramaturg), Dr. Schachter, the two assistant directors (Ariel and Zach), and I have been researching various aspects of the Romanian Revolution. My specific areas of focus are religion in Romania and Elena Ceausescu, the wife of Nicolae. In addition to presenting my research to the cast, I’m helping the actors conduct their own research to assist them in developing their characters.

We started full-time rehearsals this week, beginning with a second read-through on Wednesday. I’ve really enjoyed being a part of the process so far. As I write this, the actors are listening to a presentation by Josh and Ariel about the history of Romania from pre-history right up to the Revolution. I had to give my presentation on Wednesday, and I was extremely nervous, but the cast has been nothing but supportive and interested in what we have to say. After I finished, I answered their questions, and was surprised with how easily I was able to respond. When I’m not presenting, most of my time is spent tracking down sources for actors and looking for answers to questions that come up in rehearsal. I’m learning so much about a period of time and a world that I wasn’t terribly familiar with before, and I do truly enjoy helping a production get on its feet.

That’s all from me for now! Here’s the link to the presentation I gave to the cast, so if you’d like, you can learn a little more about Romania.